Theatre
The Haunted Mine
Fall 2022
Production Managers: Bobbie Desgrange & Madi Wentela
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Other collaborators:
Sound Design: Alex Knapp
System Design: Ace Hobbs
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I was the lead sound designer for this experience. I created a sound design for four interactive zones. This show was put on in conjunction with the Quincy Mine Hoist Association at the Quincy Mine.
She Kills Monsters
Spring 2022
Director: Trish Helsel​
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Other collaborators:
Sound Design: Illeana Baragan, Izzy Waldie, Sage Moser
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I was a part of a collaborative team of sound designers to put on Qui Nguyen's show, She Kills Monsters. The play follows Agnes as she connects with her late sister through the fantasy role-playing game, DnD.
Photo Credits: Chris Plummer
Photo Credits: Chris Plummer
Photo Credits: Chris Plummer
Photo Credits: Chris Plummer
Photo Credits: Laura Bufanda
From left: Isabella Capanda, Isabel Waldie, Riley Mehki, Matt Anderson Photo Credits: Laura Bufanda
Photo Credits: Laura Bufanda
The Arsonists
Fall 2021
Director: Kristy Dodson
Other Collaborators:
Grayson Dunham, Izzy Waldie, Mason Waldrip, Sage Moser, Riley Mehki, Grayson Ashbury, Matt Anderson
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I was a part of a collaborative team for this show as well as acting sound manager for the sound team. I assisted in the technical implementation of the design process utilizing Spat revolution and Qlab and recording sound effects
Unrealized Sound Design Dracula
The 2007 version of Dracula was written by William McNulty. This interpretation of Bram Stoker's Dracula contains many of the same plot elements with the exception of the characters of Lucy and Mina being switched. The play takes place in 1898 England during the Victorian era and the start of the Industrial Revolution. For my sound design, I focused on duality. I really wanted to contrast the supernatural with the natural to highlight the darkness in humanity. With the ominous & supernatural elements, I focused on a few different elements: low frequencies to create an unsettling feeling, especially when Dracula is around and evolving of the wolf howls: from natural to demonic. For the natural, I focused on the storm and creating realistic reverberations in the castle. These two elements played such a big role in this play, I wanted to emphasize that and create drama.
